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6th international biennale of non objective art

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Que des femmes/Only women Melbourne virtual satellite 'The home show' Hosted by Art Thoughts AU at Yarra Bend Gallery September 22 - 19 November Curated by Terri Brooks and Louise Blyton International curator Billy Gruner Bienniale Curator Roland Orepuk Rose Moxham (qld),  Marlene Sarroff (nsw),  Suzan Shutan (us),  Louise Gresswell Irene Barberis,  Jennifer Joseph,  Wilma Tabacco,  Louise Blyton,  Karen Schifano (us) Anna Caione,  Emma Langridge,  Suzie Idiens (nsw),  Susan Buret (nsw) Bogumila Strojna (fr),  Danielle Lescot (fr),  Connie Goldman (us),  Sarah Robson (nsw) Munira Naqui (us), Wendy Kelly,  Terri Brooks When Kazimir Malevich exhibited the revolutionary painting ‘Black Square’ circa 1915, he transformed Modernism. Malevich said of the painting ‘the experience of pure non-objectivity in the white emptiness of a liberated nothing’. A century on from the genesis of non-objectivity and concrete art within Western Art there has been a succession of relative movements i

Studio

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  Painting it White , 2021, oil on canvas, 50 x 61 cm. Right Angle , 2021, oil on canvas, 102 x 102 cm. Base Grid , 2021, oil on canvas, 84 x 61 cm. Black White Grid, 2021, oil on canvas, 51 x 41 cm. Some recent paintings at the studio. For enquiries please email: yarrabendgallery@gmail.com

Paper work

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KunstRAI Amsterdam, Kunsthuis LOOF booth, June 2016 One Direction 2015. Oil on paper, 164 x 111 cm. White Lines 2015. Oil on paper, 143 x 122 cm. At Kunstrai Amsterdam this photo was featured on the art fair's Face Book page From 2015-18 I exhibited with Galerie LOOF in the Netherlands until the gallery closed. In late 2015 I traveled to Jubegga for the opening of my solo exhibition. Grateful to Galerie LOOF for so many exhibition opportunities with great European artists. Rotterdam Contemporary, Netherlands. Kunsthuis LOOF booth, February 2017

Commission

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White Open , 2008. Oil, enamel and pencil on canvas, diptych, 204 x 122 cm. Private collection. A Simple Song , 2010. Oil, enamel and pencil on canvas, 122 x 84 cm. Private collection, Melbourne Sometimes a client has a need for a particular size work for a special reason. I have done a number of commissions for both private and public spaces. This Melbourne client wanted a painting based on two of my previous works;  White Open , 2009 and  A Simple Song , 2010. She chose the size of the canvas and explained what she liked about both paintings. The commission took about two months to complete. The finishing touches.... Yellow Top , 2016. Oil, enamel and pencil on canvas, 122 x 84 cm. A commission, private collection Melbourne.

Beige Bands

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Beige Bands in situ, 2018. Beige Bands, 2014, oil and enamel on canvas 151 x 151 cm. The owner of this work traveled interstate to my Melbourne studio to view this work before deciding to purchase it. It is a very pleasant experience to meet the prospective owner and talk about the work and art in general. I love seeing photos of where the work is planned to be placed and offer advise. The work was sold by artduo in Sydney. This is the second large painting that has been purchased by this owner. If you have an idea for art in your home or office please contact me. I have a lot of experience in correct placement and hanging and can arrange shipping. 

Blue Lines

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Blue Lines , oil on canvas 122 x 153 cm Blue Lines is a painting available at Yarra Bend Gallery. It was fortunate to get this painting featured on a cover section of Elle Magazine UK in January last year.

Weaving

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To weave is to make a line and then another line and another. To draw, to weave, to make. Weave , private collection Victoria. Weave , 2009. Oil, enamel and pencil on canvas, 91 x 76 cm. Private Collection. The owner of Weave, 2009, is a house renovator and collector of abstract art based in Melbourne. She chose the frame and has positioned this work beautifully in her minimalist home.